Born Sydney. 

Email: vanghoua.anthonyvue@gmail.com

Vue's practice harnesses the frictions and tensions of cultural difference from his transcultural Hmong Australian experience to develop works that offer more inclusive, diverse and hybrid tropes of belonging within cultural and national identities. These works often employ humour and satire to blur the lines and definitions that have been developed by processes of Othering. A key focus in Vue's work is also how individual and collective memories, together with the records and artefacts of official history can be repurposed to offer more compelling retellings of recent Hmong experiences of war and migration, which have been largely ignored, overlooked, and forgotten. Additionally, Vue's practice seeks to create transcultural spaces for viewing, art-making and social interaction by diverse audiences within and outside of traditional art exhibiting spaces.

CURRICULUM VITAE

 

Education

 

2019    Doctor of Philosophy, QCA Griffith University, Brisbane.

2014    Bachelor of Fine Art Honours (First Class), QCA Griffith University, Brisbane.

 

Grants/ Awards/ Residencies

2017    Artist in Residence, Minnesota Museum of American Art, Saint Paul, USA (March & September).

2016    Artist in Residence, AIR 3331, Nishikicho Studio, Tokyo (September).

2016    Recipient of Regional Arts Development Fund (RADF) Logan City. 

2015   Griffith University Postgraduate Research Scholarship.

2014    NAVA Travel Grant for Future Forward, Sydney. 

2014    Finalist, The GAS: Graduate Art Show + Survey co. Art Prize, GUAG, Brisbane.

2014    Finalist, Gather.AWARD, St Ita's, Brisbane.

2007 / 2008 / 2009 / 2014    Griffith University Award for Academic Excellence

Solo Exhibitions

2019    txhuam ntxiv mus (continuous frictions), POP Gallery, Brisbane.

2017    Fading Marks, Logan Art Gallery, Logan City.

2016    Ci-Lines, Canberra Contemporary Art Space, Canberra. 

2016    Paj Khoom, KickArts Contemporary Arts, Cairns. 

2015    Hmong Crafts: Remixed Entities, Artisan, Brisbane. 

2014    DIY: Moving Objects of a Hmong Tradition, A-CH Gallery, Brisbane.

 

 

Selected Group Exhibitions

2019    The Partnershipping Project, Umbrella Studio Contemporary Arts, Townsville - travelling to Lismore Regional Gallery (2019-20), Riddoch Art Gallery (2020), and Burnie Regional Art Gallery (2020).

2017    NEO - Emerging Artists, KickArts Contemporary Arts, Cairns.

2017    Erehwon, POP Gallery, Brisbane.

2016    Drawing Water, AIR 3331 Nishikicho Studio, Tokyo.

2016    Souvenirs From Elsewhere, Woolloongabba Art Gallery, Brisbane.

2016    23 Degrees, Woolloongabba Art Gallery, Brisbane.

2016    Qhia Dab Neeg Film Festival: Photo Exhibit, Metropolitan State University, St. Paul.

2016    Dis-order, Jugglers Art Space, Brisbane.

 

Selected Collaborations, Public & Community Projects  

           2019    Histropix #3, projection on the William Jolly Bridge, BrisAsia Festival.

           2018    Mix Tape, projection with AGB Events on the Cairns City Library. Cairns Festival. 

           2017    Raws Roob, PUMPED: A Water & Waste Trail, Gordonvale. Commissioned by Cairns City Council. 

2017    Connections of Logan, Woodridge, Logan. Commissioned by Logan City Council. 

2017    Saint Paul Murals Project, Saint Paul, Minnesota USA. Commissioned by The Minnesota Museum of American Art, in collaboration with Hmong American artists.

2017    Beyond an Oasis, Brisbane Canvas (Vibrant Laneways), Sunnybank, Brisbane. Commissioned by Brisbane City Council.

2017    chi-U-dee and Kumbhakarna-dee downunder selfie, Brisbane Street Art Festival, Fortitude Valley, Brisbane. In collaboration with Thirawut Bunyasakseri.

2017    Untitled, Projection onto the William Jolly Bridge, Brisbane River.

2016    Drawing Water, Brisbane City Council Vibrant Laneways (Eagle Lane).

2016    Pa Kor Day, community project with young people in Logan. Installations at Logan Hyperdome Library (March-April) and Logan Central Library (June). Culminating exhibition and installations at Logan Art Gallery (December). Project supported by the Regional Arts Development Fund (RADF).

2016    TAPE ON: a Temporal Collision of Line, live tape drawing installation performance with artist Kellie O'Dempsey on the windows of Griffith University Art Gallery.

2016    Paj Theem Ntaiv, AusAsia Festival, Metro Arts Stairwell Installation, Brisbane. 

2016    Weaving Our Heritage, BrisAsia Festival, Eagle Lane. Curated and produced by Engage Arts. 

2015    14,600, Cairns Festival, Cairns Botanic Gardens Visitor Center, Cairns.

2015    Paj Qhov Rais, Site Specific Installations, various locations. Brisbane and Cairns.  

2015    Paj Hoob # 2, Gallery Ten, Tasmanian International Arts Festival - Hobart. Working with Hmong Hobart young people.

Collections

Singapore Art Museum

Private collections: Australia, United States & China

All images and publications copyright © 2019 Vanghoua Anthony Vue. All rights reserved.